24,200 Royalty-Free Audio Tracks for "Midi Files Of Music By Frédéric Chopin"

BWV 776 mid, 5th invention

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

Midi file of BWV 641 from the Orgelbüchlein adapted with different instrumentation and ornamentation from lilypond file on Mutopia

Midi file of BWV 631 from the Orgelbüchlein adapted, with added ornamentation in the inner parts, from lilypond file on Mutopia

Midi file of BWV 628 from the Orgelbüchlein adapted from lilypond file on Mutopia

Midi file of BWV 609 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Nederlands: Ludwig van Beethoven: Für Elise, Bagatelle nr. 25 WoO 59 (overgetikt) PD aangezien componist meer dan 70 dood is

Details of the voice leading in m. 3-7 of BWV 941: original

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Midi file of BWV 601 from the Orgelbüchlein adapted with different instrumentation from lilypond file on Mutopia

Joseph Haydn: Ein einzig böses Weib, Kanon auf einen Text von Lessing

Triadic planing from Le Tombeau de Couperin by Maurice Ravel.

Piano accompaniment from Franz Schubert's lied "Der Wanderer" D.493, second couplet (Die Sonne dünkt ... Ich bin ein Fremdling überall) Accompagnement au piano du deuxième couplet du lied Der Wanderer D.493 de Franz Schubert (Die Sonne dünkt ... Ich bin ein Fremdling überall)

Étude Op. 25, No. 1 in a-flat major, composed by Frédéric Chopin, performed by Donald Betts.

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

R. Wagner's Tristan Opening. 7-limit 53EDO Approximation.

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

the famous chords symbolizing the church bells in Debussy's prelude La cathédrale engloutie

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Alexander Scriabin: opus 8.12

First part of Flute-Sonata Nr. 1 in D-Major

Bagatelles, Opus 33, no.4 by Ludwig van Beethoven, 2:51 minutes

Bagatelles, Opus 33, no.1 by Ludwig van Beethoven, 2:47 minutes

Wolfgang Amadeus Mozart, Eine kleine Gigue, KV 574

Sah ein Knab ein Röslein stehn

Franz Schubert, Deutsche Messe, "Wohin soll ich mich wenden" (D-Dur), Gotteslob (2013) Nr. 145

Franz Schubert, Deutsche Messe, "Ehre sei Gott" (F-Dur), Gotteslob (2013) Nr. 413

Uns ist ein Kind geboren, BWV 142 - 7 Jesu, dir sei Preis gesungen

Uns ist ein Kind geboren, BWV 142 - 8 Alleluja, Alleluja, gelobet sei Gott

Uns ist ein Kind geboren, BWV 142 - 3 Dein Geburtstag ist erschienen

Uns ist ein Kind geboren, BWV 142 - 1 Concerto

Uns ist ein Kind geboren, BWV 142 - 6 Immanuel

Uns ist ein Kind geboren, BWV 142 - 5 Jesu, dir sei Dank gesungen

Auprès de ma blonde

Uns ist ein Kind geboren, BWV 142 - 4 Ich will den Namen Gottes loben mit einem Liede

Uns ist ein Kind geboren, BWV 142 - 2 Uns ist ein Kind geboren

Midi-fil av folkemelodien Kjerringa med staven. A folktune from Norway

Guggisberglied

The opening of Beethoven's Opus 10/1 for comparison with the opening of Dussek's Sonata Opus 39/3.

Beginning of Robert Schumann's Song "Zwielicht" (from Liederkreis op. 39)

Dominant thirteenth chord in Claude Debussy's Prelude to the Afternoon of a Faun (1894). Created by Hyacinth (talk) 02:50, 5 July 2009 using Sibelius 5.

Singt nun alle, singt mit uns, ihr Leute (Evang. Gesangbuch Bayern/Thüringen 549)

Il est né le divin enfant

Jetzt fangen wir zum Singen an

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Frédéric Chopin's Nocturne in B-flat minor, Op. 9, No. 1, 1832

Example of harmonic minor from the opening theme to Schumann's First Symphony (probably 1832/33 Zwickau, WoO 29).

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Franz Liszt.